Get your new music fix with these brand spankin’ new tunes from all over the world – you can also find these songs on our Limited Time Offer Spotify playlist.
Midnight Ambulance – “Alice”
Country: UK
Genre: Alt Rock
Words From the Artist/PR: “The world is getting stranger. With the rise of disinformation and the dominance of the media, our realities are becoming increasingly distorted. As we try to battle the noise and confusion, we are at risk of being engulfed by this peculiar place. It seems Wonderland is no longer a thing of fairytales…”
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Yogamum – “Jordan Peterson Blues”
Country: UK
Genre: Garage Rock
Words From the Artist/PR: Yogamum are a London based punk band formed in 2023. Expect melodic, high octane punk bangers, with a sprinkle of introspection and offbeat social commentary.
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Chloe & the Brainwaves – “Can’t You Love Us The Same?”
Country: UK
Genre: Alt Rock
Words From the Artist/PR: “”Can’t You Love Us The Same?” hits close to home for me. It’s all about the frustration and hurt of never feeling like I’m the favourite, always feeling like I fall short in the eyes of others. Throughout the song, there’s a constant undercurrent of not feeling good enough, of yearning for acceptance and love just as I am, without having to compete for it. It’s a raw expression of longing to be treated equally and to be valued for who I am, without being compared to others. There’s also this internal battle depicted, where I’m torn between being true to myself and trying to fit in just to be accepted. It’s a struggle many of us face, trying to navigate between authenticity and the desire for approval.”
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Colider – “Relay”
Country: Canada
Genre: Alt Rock
Words From the Artist/PR: “the second single from the upcoming album “FOR THE SPACE AGE” out May 31 2024″
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Bad Jones – “Fail, Deny, Repeat”
Country: New Zealand
Genre: Punk
Words From the Artist/PR: “A scrappy little punk number. This one draws influence from bands like Power Trip, Misfits and Turnstile. A shout along chorus, churned up power chords, and a throttling rhythm section get in and get out in 2 minutes plus change. Best heard loud. Will be touring locally to support upcoming EP including a support slot for Sparta coming up shortly”
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three am page – “drown”
Country: Canada
Genre: Alt Rock
Words From the Artist/PR: “”tell me you want to drown, tell me you want to drown, tell me you want to drown”– an ode to a toxic relationship where you’re both bringing each other down but gleefully so; a sick addiction. beautiful, screeching electric guitars over powerful vocals in the chorus (“baby, you’re no good for me- acid rain on two dead trees; burn and burn it’s our disease”) complemented by really soft vocals in the verses. fun, energetic, sassy, emotional”
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Casual Drag – “Can You Hear Me Now?
Country: UK
Genre: Garage Rock
Words From the Artist/PR: “This is a rallying call for the beat down, and anyone who has had to deal with the hard brutality that life can dish out-and come through it the other end as a victor – not a victim, the first line sets the tone. The song is about coming through hard times and saying: take a look at me now…”
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Case Study – “909 (She’s So Fine)”
Country: US
Genre: Alt Rock
Words From the Artist/PR: “909 is an anthem about a local girl starting an indie label and becoming her music scene’s icon. The band takes a page from early 2000s pop-punk and gives it a modern facelift. Case Study looks to bring nostalgia back in time for the perfect summer song for indie scenes everywhere.”
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BOYR!OT – “MA!N CHARACTER”
Country: US
Genre: Alt Rock
Words From the Artist/PR: Embrace your inner bad bitch with alt-pop anthem ‘MA!N CHARACTER’ by chaotic queerdos BOYR!OT. Produced by Marky Style (known for collaborations with Flyana Boss and Royal & The Serpent) and mixed by Justin Hergett (credited for iconic artists such as Beyoncé, P!nk, and Green Day), serves as a powerful anthem symbolizing the band’s imminent rise to prominence.
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Russian Baths – “Hunger”
Country: US
Genre: Indie Rock
Words From the Artist/PR: “We recorded this at Walter Schreifels’ place upstate. He suggested we put the guitar hook first. I’m glad we did,” says Koz. “Jess wrote the progression sitting on the floor alternating two chord shapes in an odd tuning in practice.” “I wanted the vocals to be exceedingly intimate, especially in the second verse. I wanted everything to be exact and totally audible in the quietest and loudest moments, almost uncomfortably close.” That approach makes the noise explosion in the song’s final passage even more chaotic and full than those before.
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